FocusTrack is a resource that I use every day on Mary Poppins in New York. I have never had such comprehensive tracking paperwork before on a Broadway show. With one of the largest moving light rigs on Broadway, FocusTrack is an absolute necessity for me to keep up with the maintenance of the show."

Kevin Barry
Board Operator/Electrician, Mary Poppins New York

For the Sao Paulo transfer of Miss Saigon, we had to use Mac2000 Washes in place of VL3000Q Washes and VL2500 Spots instead of VL2000 Spots. Having a record of what things were meant to look like enabled us to focus the new lights and get the show looking right again in just one day. For the Australian tour we are 1000km and six days show to show. We get about seven hours to do 1200 moving light focuses; that's something that we can only manage with FocusTrack. "

Richard Pacholski
Associate Lighting Designer, Miss Saigon

The lighting for Woman in White relied on many very specific specials and very focussed moving textures, all of which had been carefully plotted during the London production to avoid casting light or shadow onto the moving projection screens that the show's scenic design was based on. As usual, technical time for the New York transfer was not on our side, and therefore the cue structure from London had to be retained precisely and with the aid of FocusTrack we were able to recreate accurately the careful movements of the specials and textures. The US members of the team were amazed at the ease of the process, especially as they had been used to lots of paperwork and fccus tapes to recreate moving light focuses. FocusTrack won three times: it allowed me to recreate the show swiftly and accurately, it saved hours of time and it saved the producers thousands of dollars in crew overtime. Always a winning combination!"

David Howe
Associate Lighting Designer, The Woman in White

FocusTrack provides the tools to track automated lighting in any situation without having to customize your tech process. It has given me immediate information while in fast-paced production and generates long lasting archives for reproductions that help expedite the process with ease."

Jared Sayeg
Lighting Designer for theatre, dance, musicals, architecture and opera

Transferring Tamburlaine into the Barbican with 23 moving lights and 431 different focus positions would have been impossible in the tight schedule of three days without the aid of FocusTrack."

Neil Austin
Lighting Designer