FocusTrack 2.000
- Available Now!
New version, with
support for Eos and grandMA, available
now
27th May 2009
Previewed at USITT in
March, and tested on a number of shows since,
the new FocusTrack 2.000 is now (finally!)
available - adding compatibility with ETC Eos
and MA grandMA consoles along with countless
other refinements and improvements.
Designed to simplify the task of comprehensively
documenting production lighting, whether to maintain
it over a long run, re-create it on tour, re-mount it
in new productions, bring the show back into a rep or
create a portfolio, FocusTrack has been put to good
use on countless shows around the world in the more
than three years since its first introduction,
including the Tony Award winning Billy Elliot and Drama Desk
winning Equus in New York.
The key design principle of FocusTrack has always
been to reduce the amount of manual data handling and
re-keying that lighting staff have to do during the
course of mounting and then documenting a show.
FocusTrack 2.000 continues this: it can be used to
manually track the lighting, or the software can
import a show file from ETC’s Eos, the MA
grandMA and the Strand 300- and 500- consoles,
generating comprehensive paperwork - including a list
of moving light focus positions actually used in the
show, details of scrollers and gobos actually used in
the show, fixture tracksheets, full details of the
lights in the rig (including patch information and
whether they are actually used in the show) in
FocusTrack’s RigTrack module, and a detailed
cue list.
Other information can be entered manually, or merged
in from other sources including Lightwright,
VectorWorks Spotlight or designer’s cuesheets
in Excel or other formats. For those who want to
continue to use their current software, FocusTrack
can also help keep other data files up to date,
playing ‘spot the difference’ between
Lightwright data and the console patch to ensure
Lightwright stays in sync as a rig evolves.
To complete the documentation of a show, FocusTrack
(when running on a Mac) can control the lighting
console to allow the automation of turning on and
photographing moving and conventional lights before
importing the resulting pictures into the final show
database. As with show import, FocusTrack can now
control Eos and grandMA (via their Eos Client and
onPC software running in Parallels or Fusion) in
addition to Strand consoles.
FocusTrack 2.000 also incorporates countless other
interface improvements and new features based on
three years of user feedback, including an optional
simplified main control page, a new DimTrack module
for managing complex dimmer installations, a
‘speak my focus’ mode for when a
programmer wants to keep looking at the stage, and a
new iPhone cue sheet export mode so a designer can
have keep their cue sheet with them while prowling
the theatre during previews.
FocusTrack 2.000 comes in one version that can be
switched between the three console types. It is
available now from the FocusTrack website, here, and can be run in
Demo mode for fourteen days allowing anyone
interested to try it for themselves. The website
even includes a small demo show allowing quick
experimentation with the software’s
features, as well as full details of how
FocusTrack can help those creating and
documenting shows.
Despite the many new features, the price of
FocusTrack remains unchanged, with both full and
student licences available. Licenses can be purchased
through the website; existing licences will continue
to work with the new version.
Further information about the new features offered in
FocusTrack 2.000 can be found here.